I was actually at the McCallum theatre when “Graham Nash exchanged words with audience members” (quote from My Desert news).
My mother had excitedly bought a ticket for herself (in the front row!) and invited my husband and I along—we sat up in the nose bleed seats with the commitment to drag my mom off Nash if flirting began (a long-standing joke between my Da, Mom, husband and I). All in all, my mom is still married to my Da.
But, more importantly, what actually happened at the McCallum Theatre with Graham Nash?
Two words: cognitive dissonance.
Nash opened up the concert with a 1,000+ audience of folks predominantly in the age bracket of 40- to 60-years-old. These are the folks who jammed to his music during the Vietnam War, knew exactly what he was talking about when he begged folks to come to Chicago for the Democratic National Convention and understood why we should be concerned about college students being shot in Ohio. They remember and they knew what was going on—possibly active, at least concerned, in the politics of their generation.
Now, here is Nash of 2013: he isn’t going to sing about the Vietnam War. He isn’t only going to sing about Ohio or Chicago—he is going to sing about the politics of the day: from fieldworker human rights to protections for whistle blowers to the self-immolation of Tibetan Buddhists in China. What raised the greatest stir (and resulted in people openly walking out) was his frank response to the trial of Bradley Manning as a result of his providing Wikileaks information about the realities of war in Afghanistan and Iraq.
Upon singing a song that called for protection for whistleblowers, the audience member who “exchanged words” yelled: “HE SHOULD BE HANGED!”
At which point, Nash calmly replied, guitar in hand: “What if he was your son?”
And then, as some audience members walked out and others cheered amidst the “boos” Nash calmly smiled, “Come on now, it’s only a song.”
This is cognitive dissonance: when an audience member buys a ticket to a Graham Nash concert because they “like the music—but not the politics”, and they forget it was always a critique against war and unjust politics (which included a remark about Obama’s presidency), and they sit there, in their seats, not understanding why Nash can’t just sing the “good old music” they used to agree with… or did they?
Cognitive dissonance is when you thought you were a hip guy who lived out in the desert, understood “struggle,” listened to the great classic and folk rock artists of your generation’s turmoil… but can’t hang with the turmoil of the present day. Its when you thought music was neutral and purely for your entertainment, and realized it was charged, pointed and possibly prophetic– demanding that you do something as a result of hearing it. I mean, really, the audacity of the artist!
More responses from the online audience– two from religious higher education:
Yes, please, “grow up” and stop with this political change and activism crap. I mean, the message of 70’s (and Jesus) was great and all, but haven’t you been socialized to obey the media and the government by now? Jeeze. Get a real job, Nash, and plan for your retirement. Who needs your human rights message anyways.
So, in honor of Nash: I was worried for you in the beginning of the show, wondering aloud to my husband, “Does he know what city, hell, what county, he is in?” and left grateful for an example of authentic music-making that stayed relevant and didn’t fear the few that will always walk out when something doesn’t line up with their reality. That is what music does at it’s best.
Many of us who live in this community– and who are spiritual, religious and everything else– attended your show and were grateful for it.